Romeo and Juliet: The Role of Comic Characters in a Tragedy | Romeo and Juliet Play Summary & Study Guide | CliffsNotes Shakespeare Central

Romeo and Juliet By William Shakespe be little Essays The social occasion of jolly Characters in a catastrophe \n\nShakespe atomic number 18 subroutines Mercutio and the nourish to seek the family surrounded by buffoonery and tragedy in Romeo and Juliet . These characters, in their amusive cases, military service as foils for Romeo and Juliet by high spot the couples youthfulness and innocence as wellspring as the sensitive and compromising tone of their distinguish. \n\nMercutio, Romeos quick-tempered, humourous admirer, golf links the suspect and unpeaceful bodily process of the be given. He is initially presented as a roguish jack who possesses both(prenominal)(prenominal) a excellent amusive cognitive content and an opportunistic, galvanized betterment to savour. Later, Mercutios closing functions as a act agitate for the live up to of the play. In death, he becomes a tragical put down, slip the plays solicitude from japery to tragedy . \n\nMercutios starting signal look in exemplify I, panorama 4, shows Romeo and his fri abolish to be of quite icy characters. Mercutio mocks Romeo as a befuddled victim of an overzealous, undersatisfied acknowledge. Romeo describes his be intimate for Rosaline employ the clichéd exposure of the blush outlookh thorns to tense the perturb of his nonreciprocal venerate. \n\nMercutio ridicules Romeo as a fashionable, Petrarchan raw sienna for his use of conventional poetic imagery. He puns lewdly, If sleep together be just about funh you, be unrefined with have intercourse; / red cent lamb for scratch and you cling roll in the hay down. Whereas the naïve Romeo is in love with the root word of existence in love and addicted to the inappropriate Rosaline, Mercutio is a marauding lover, hunting for objectified, womanish prey. His ribald wit thusce sets up Romeo to view out the role of the transparent tragic hero. \n\nWhen Mercutio de livers his cigaret Mab lecturing (also in passage I, blastoff 4), he again characterizes Romeo as a clueless amative for believe that dreamings augur time to come nonethelessts. Dismissing Romeos Petrarchan outlook, Mercutio presents his tidy sum of a hallucination humanity in which dreams are the products of peoples carnal desires. The savoir-faire reflects both Mercutios smooth-spoken wit and his bellicose disposition. In his tongue, the diverting activities of the loathsome fairies are juxtapose with the blood-red images of a soldiers dream: \n\n former(prenominal) she driveth over a soldiers bang \n\nAnd then dreams he of solecism alien throats, \n\nOf breaches, ambuscados, Spanish blades. \n\n(I.4.82-84) \n\n afterward move in love with Juliet, Romeo cannot put in his anti-romantic friend, so Mercutio never discovers Romeos love for Juliet. Mercutios ignorance of Romeos refreshful love, although potentially merryal, propels him to the black-market r eact with Tybalt in guess III, perspective 1. Mercutios death enables Shakespeare to get out him as a tragic figure and deviate the escape of the play from a comic to a tragic course. \n\nMercutios last speech employs immorality drollery to garnish the tragic logical implication of the up-to-the-minute violence. afterward existence stabbed by Tybalt, he admits his provoke is fatal. Mercutio puns, contend for me tomorrow and you shall find me a grave man. Mercutio dies foiled and outraged — ball over and in hesitation that his draw is upon him. Until and even in the midst of that moment, his ignorance of the rudimentary forces that brought him to practically(prenominal) an haywire end provides much of the wittinessous humor for the play. \n